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Hotel Dynamite

by DMC & FRIENDS

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  • Record/Vinyl + Digital Album

    Black 12" vinyl LP in gatefold cover designed by David Michael Clarke himself. The edition also includes an insert, allowing fans to discover the full lyrics, a text by the art critic Julie Martin, and more artwork by DMC.

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1.
In an idealistic world, The clock limits not time, The paper never fades away, The chrome it always shines. The girl on the TV, Her teeth are white as snow, She chatters on the telephone, For real it’s just a show. Tell me just what is it, that makes all of our homes, So different from yesterday, so appealing to behold, This is tomorrow, tomorrow today. Naked is the man, Gotta a body-builder tan, He swings his giant lollipop, He’s looking for a fan. Half way up the stairs, Woman’s work is never done, Most cleaners just don’t reach this far, The all new constellation. Tell me just what is it, that makes all of our homes, So different from yesterday, so appealing to behold, This is tomorrow, tomorrow today. New furniture’s a must, Change will get rid of the dust, The style should be contemporary, Less is more, less of that fuss. You want to keep a man, Keep house spic and span, Beef steak in a non-stick pan, Fuck like a whore if you can. Tell me just what is it, that makes all of our homes, So different from yesterday, so appealing to behold, This is tomorrow, tomorrow today.
2.
Avec ou sans rien, sauver un moulin, élever des poulains, porter des Ray-Bans Les gars d’Alençon, ils sont étonnants ils donnent des frissons les frères Hérisson Deux frères sérieux dans un pré gadouilleux plus jamais un non-lieux Piacé le Radieux Les gars d’Alençon, ils sont étonnants ils donnent des frissons les frères Hérisson Perret au Corbusier Le Havre à Piacé voiture en osier cabane pour Jean Genet Les gars d’Alençon, ils sont étonnants ils donnent des frissons les frères Hérisson Un esprit philanthropique un projet utopique punctum de Barthes, ça pique sacré Ben et Nic Les gars d’Alençon, ils sont étonnants ils donnent des frissons les frères Hérisson
3.
The Call 02:47
Here the grass is green, Can see it through the glass, The pane is cracked and the wind is whistling. The river’s running, The water is through the mill, The wheels of steel, they keep on turning faster. The cold is in the air, The damp is in the walls, the stench of death really won’t be long now. What are we to do? We can’t go on like this. This ain’t no life that we are living. Hey Mr Architect, build a world for us, we can see the towers on the horizon. The dream it won’t be real, ’til there’s a modern life for all, come lift our homes and our hearts as you promised. The people in the towns, are starting out again, reaching for the sky like no tomorrow. The folk in the fields, are downing tools for good, no more to hear sweet angelus ring out around. The factories filling up, Churning out the goods, the machines are making light work of our labours Tomorrow we’ll be free, or so the wise man says, liberation for the nation is all or nothing. Hey Mr Architect, build a world for us, we can see the towers on the horizon. The dream it won’t be real, ’til there’s a modern life for all, come lift our homes and our hearts as you promised.
4.
La Réponse 02:38
Les campagnes ils doivent changer, Il faut les réaménager, Juste comme on a fait dans les grandes villes. Ce n’est pas une simple remaniement, Il faut revoir les plans de A à Z, Commençons par une grande route pour la voiture. Maintenant il faut construire une ferme, et dans les champs, la voir debout, à l’aurore, à midi, jusqu’à l’épuisement de la lumière. Au dessus la terre vivra l’homme, dans le confort qu’il mérite, printemps, été, automne, et hiver. Et aussi cher Norbert Bézard, il faut bâtir le village coopératif, net et joyeux, centre de la vie rurale. ni fantaisie socio-économique, ni artifice doctrinale, C’est tout simplement un projet architectural. Au premier tour du bétonnière La campagne se réveillera. Construisons notre vision ingénieux. Coulons les pilotis. Construire les bâties. Debout, Piacé le Radieux.
5.
Little and spiky and round, feet touching base, got my nose to the ground, Cross all the roads to the sound, Cars that go fast, I get scared I won’t last, I’m aghast, I’m not having a blast, A bore to which I am bound. In my dreams I’m flying, high up in the sky and Down below me, people walking by but I wasn’t made to fly I wasn’t made to fly Black is the tarmac of night, Petroleum void, maybe not quite, Curb seems so far, left and right, Should I move on, is my time gone, my life done, my light has it shone ? Petrified, frozen in fright. In my dreams I’m flying ... Crossing the river of Styx, One ten ton truck, one ball of pricks, Needs more a Nightingale fix, His line was flat, there was no caveat, that was that, there was no coming back, whatever the pain that inflicts. In my dreams I’m flying ... Travelling on, field to town, Never look back, never look down, living today, not a frown, Highway at night, dancing the light, red and white, what a beautiful sight Nature ‘s clown wearing his crown. In my dreams I’m flying ... Little and spiky and round, feet touching base, got my nose to the ground, Cross all the roads to the sound, Cars that go fast, I get scared I won’t last, I’m aghast, I’m not having a blast, A bore to which I am bound. In my dreams I’m flying ...
6.
On the terraced roof, there is a room, Quite amorphous, like a mother’s womb, No one knows what lies behind the door, We knew back then, but now we can’t be sure, It’s open once, then closed for ever more. Tiny creature, curled up in a ball, Stretching out then stepping into crawl, Autonomy means standing on your own, Touch the sky, now that you have grown, Look out there, the seeds that you have sown. Gentle breeze, the sun shines overhead, Mother nature’s son gets out of bed, Lazily, he wonders what to do, Sort out his act, buckle up his shoe ? Who me ? Not I, please don’t misconstrue. Dreaming on the deck, for me is part, Intrumental process of my art, Through work freedom you don’t get, Work means perspiration that means sweat, Forsaken world, better to forget. ‘Pon the stack of boxes lies the jewel, Twist and turn as does the lesbian rule, Open space that’s sheltered by a screen, Plastic gesture, oh that’s rarely seen, Freedom is a clothoid pear-shaped bean.
7.
Take a look What have we here ? What is this thing of no importance ? What is it for ? Where did it come from ? To whom did it belong, through inadvertence ? Here's something else Curious wee thing I feel quite charmed through intuition Sentiments Flowing through my veins Spurious no doubt, raise my suspicions Should we forget ? Should we hedge a bet ? Should we build our own museum ? This is all new Though it'll soon be through This could just work with some carpe diem The world is full Too full of stuff Two hundred years of mass production Can barely breathe For all the dust All the twist or bust since the revolution But stop Look at these things Look at yourself, your own reflection What you see, Is what you see, Where you came from, no deformation And now Where will you go ? To become what ? Before September What can you change ? Change can you not ? Forget me not, do not remember.
8.
One zero zero since the swiss cabaret, Less is more has come and gone, it faded away, Marcel Duchamp lead the us children astray, losing the plot, a conceptual play. Here are the brooms to brush the cobwebs away, Here’s the dress my sister wore, on easter sunday, Here’s a lamp to light up at the end of the day, It all here in Musée Calbet. Dream what you want to dream cos dreams come true, Be who you want to be, be me, be you, (If you want to) Is painting really dead, when did it pass away? Can language really halt the artistic decay? Can post-modernism show us the way? Anything goes in complete disarray. Here is a doll made from paper maché, Here’s a jug made from sedimentary clay, Here is a cane that’s been whittled away, It all here in Musée Calbet. Dream what you want to dream cos dreams come true, Be who you want to be, be me, be you, (If you want to) Modern life for rabbits, here today, Here comes the hostess, drinks on the tray, Flying cows and hedgehogs, seems faraway, Bonsoir Monsieur Freud, what do you say ? This is how we lived it, at work and play, This is how we baked our bread, every day, This is what we used to wear, before we were gay, It all here in Musée Calbet. Dream what you want to dream cos dreams come true, Be who you want to be, be me, be you, (If you want to) This is how we lived it, at work and play, This is how we baked our bread, every day, This is what we used to wear, before we were gay, It all here in Musée Calbet.
9.
Won’t you come and stay, Won’t you come and play away, Won’t you come on down, Give up your cube for a tube. Won’t you come tonight, Everything will be alright, The stars are shining bright, At Hotel Dynamite. A radical transformation in short-term accommodation. Won’t you come and make, Won’t you come and bake a cake, Then sleep through till you wake, Get in you car, it’s not far. Won’t you come tonight, Everything will be alright, The stars are shining bright, At Hotel Dynamite. A radical transformation in short-term accommodation. Won’t you come and draw, That’s what a pencil’s for, Sketch till you eyes are sore, Red, green and blue, it’s so you. Won’t you come tonight, Everything will be alright, The stars are shining bright, At Hotel Dynamite. A radical transformation in short-term accommodation. Won’t you come and dance, Won’t you come and take a chance, On sculptural romance, Climb up inside for a ride, Won’t you come tonight, Everything will be alright, The stars are shining bright, At Hotel Dynamite.

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released March 6, 2020

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DMC & FRIENDS France

DMC & Friends began inadvertently in 2014 as David Michael Clarke was preparing an exhibition for the Galerie du Dourven in Brittany, France. Together with Elina Bry, he wrote four songs that tell the story of « Piacé-le-Radieux ». Two years later, while setting up a new show for the Musée Calbet, near Toulouse, Maxwell Farrington joined DMC to write some new songs about flying hedgehogs and more. ... more

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